Lennon and McCartney continued producing songs, just as a dog continues having a tail. One reads now that the Beatles were sagging after a couple years of Beatlemania. These weighed down the room with a mournful, constricted droning that was supposed to be fun. But the tracks proved less boring than the songs by the Beatles. And a child, after hearing about the Beatles, didn’t feature hearing some other adult thing that had been harked out of nowhere. Henry Mancini did such things better, and the sitar (at least as handled here) sprinkled the tracks in question with a combination of sour twang and clamorous squawk that acted as ear repellent. Help, though I don’t blame George Martin’s orchestral interludes for my ennui. We listened to the Beatles, meaning Help, and I learned how boring adults could be. This was in my parents’ bedroom, where my brother had the rare privilege of working their stereo. On my first encounter, I was far from convinced. They insisted the thing was important because crowds of other people, who one did not know, found the thing important. A Beatle, on the other hand, was a rumor handed down by adults and an older sibling. A crack in a rock with moss on one side and a bird dropping on the other-one came upon such a thing and could consider it at leisure. At my level the Beatles were grown-up doings, and such doings were forced on the world-imposed from above-rather than naturally occurring. The younger the spectator, but only down to seven or so. Here these boys were and the future had finally begun. The younger the spectator, the more they felt this way. No one had ever thought that being, just opening your mouth and saying hello, could have such snap, be an event. Listening to the words fly, watching them bounce among those unique fur domes, people considered themselves dropped into a new realm of communication, one found only around these four unique boys. How could anybody look like that? And, next, can you tell them apart? After finding that, yes, you can, the people marvel at the crew’s different looks and personalities, at the sheer variety of long-haired boys suddenly on display. His shoulders jump, his chin points down a new smile cracks through the official smile he had in place.Īt home people lean closer. The host (grill haircut) in his suit (car-door lapels) can’t help himself. The fellas turn moments upside down, and they’re happy to do it. What we missed was the experience of looking at the screen and not believing that you saw what you saw: those four young men with hair down to here, freak coiffures, and the four guys mouthing off like birds that sing. I just sneak into the second category, where I’ve been joined by generations of further recruits. I think that last is a dividing line in Beatle-land: between those who saw them on TV and those who didn’t. Would that count? I think my mother told me about their being on The Ed Sullivan Show, and I wasn’t clear on what that was. My brother was given a copy of the Help album, I think for Christmas 1965. It also stands out from subsequent Carpenters albums in that the lead vocals are evenly split between the two band members on later albums, Karen would perform most of the lead vocals and this is one of two albums where Karen provided virtually all of the drumming, the other being Now & Then, released in 1973.Īll lead vocals by Karen Carpenter except where noted all tracks written by Richard Carpenter and John Bettis, except where noted.I’m not sure if I remember Beatlemania. The album is far more self-contained than other Carpenters albums excluding the orchestrations, bass by Joe Osborn and occasional guitar from Gary Sims, most of the instruments were played by Karen and Richard Carpenter themselves-drums and keyboards respectively-and 10 of the 13 songs were written by Richard and his lyricist John Bettis. However, in Japan, the "Pack Series" released the Ticket to Ride and Close to You CDs together. The CD in the "Remastered Classics" series went out of print in March 2007. It was a commercial failure and produced only one minor hit single, a ballad version of the Lennon-McCartney song " Ticket to Ride".Īfter the Carpenters' subsequent breakthrough, however, the album was reissued internationally under the name Ticket to Ride and sold moderately. At the time of its initial release in 1969, it was issued under the title Offering, with a completely different cover photo. Ticket to Ride is the debut studio album by the American music duo Carpenters.
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